![]() Locate to your desired loop-start point and hit F1, then go to your end point and hit F2.Their location can be changed by simply dragging, but there are other ways too: Memory Cycle loop boundaries are indicated by a pair of forward- and backward-facing repeat marks in editing windows' time rulers. All this can take place without the need to ever press the stop button or even come out of record. The idea is that for, say, a four-bar section, Memory Cycle lets you start off by laying down a bass line, then loops round and plays that bass line while you add another track, then continues to loop and play your recorded tracks while you add additional ones. There are any number of reasons to use it, but it comes into its own for jamming and building up multi-layered textures from scratch. Turned on with the rightmost 'M' button in the Control Panel, or with the keypad's '7' key, Memory Cycle causes a section of your sequence to loop during playback or recording. There can be few DP users, old or new, who haven't made use of the Memory Cycle function. In this article I'm going to look at those aspects of DP that can help with all aspects of writing music, and that are so useful regardless of whether you're predominantly a MIDI person or are more at home with recording audio. ![]() Knowing how best to capture your ideas, and then how to use specific features to develop them, can prove incredibly useful skills, speeding up your work rate and perhaps even adding to the sophistication of the end result. When you're trying to come up with musical ideas, few things cripple creativity more than technical difficulties or convoluted working methods. ![]() We take a look at what DP can offer in this area. The POLAR loop recorder offers remarkable flexibility for capturing multiple takes or layering multitrack textures and is just one of Digital Performer's easy and time-saving ways to get creative.Īn accomplished sequencer such as Digital Performer certainly allows its users to push the envelope when it comes to sophisticated music and sound production, but it should also act as a 'sketchpad', facilitating composition and musical experimentation.
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